A Visionary Painter Pushing Boundaries.
TorontoPages Magazine is thrilled to introduce Ramona Nordal, a visionary artist whose dynamic and evocative work continues to captivate audiences worldwide. With a foundational education from the esteemed Emily Carr Institute of Art & Design, Ramona brings a wealth of knowledge and expertise to her practice.
Renowned for her vibrant and thought-provoking compositions, Ramona draws inspiration from a diverse array of subjects, weaving together different eras and forms to create something entirely new. Her intuitive approach to portraiture transforms each piece into a portal, inviting viewers on a journey through the past, present, and future.
Ramona’s unique technique, blending pen and acrylic painting, showcases her mastery of form and color, resulting in works that are as visually captivating as they are emotionally resonant. With a global exhibition history and a commitment to artistic integrity, Ramona navigates the intersection of commercial viability and creative expression with finesse.
Tell us about your education.
I studied at Emily Carr Institute Of Art & Design for 1 year.
Your artwork is described as vibrant and thought-provoking. Can you share with us the inspiration behind your choice of subjects and use of color?
I choose subjects that resonate with me. Incorporating different eras, different features and forms to create something new. The colors in chose are the first thing I think about when starting a new painting. The color guides the whole piece.
How do you approach the process of creating a portrait as a “portal to a journey encompassing the past, present, and future”?
I paint women for the most part. These figures are bits and pieces of several different generations, each offering their own strength and story. By adding many different features together from different eras the subject becomes powerful. The viewer is then guided by the subject through their story.
Could you elaborate on your reliance on intuitive elements in your artistic process? How do you balance intuition with technique?
I think that intuition as an artist is everything. From decisions on color to shapes, forms and texture it is always about what feels right to me. It needs to feel right in order to work.
Your technique combines pen and acrylic painting in an unconventional approach to depicting the human form. What led you to develop this unique method?
I have always had a huge love of drawing. I draw to get back to the basics and clear my head. By incorporating drawing into the painting there is a softness and depth that occurs. There is a specific tension between the two techniques, when combined that create a visual dance. They work well together.
Your work has been exhibited in various locations worldwide. How do different cultures and environments influence your artistic vision and style?
No matter where my work is exhibited I try to stay true to what I like. By doing this my work stays consistent and in turn, is recognizable no matter what country it is in.
Can you tell us about any memorable reactions or interactions you’ve had with viewers experiencing your artwork?
Interactions is really the best part of what I do. I have been fortunate enough to hear many stories of clients experiencing my work for the first time. The emotional connection that grabs them is what stands out. I remember being in several shows where viewers circled back several times to have another look, almost as if the painting was pushing them to come back. That is something quite special.
You’ve participated in numerous solo and group exhibitions. How do you approach the curation and presentation of your pieces in different gallery settings?
I really try to push my boundaries with each show. It’s important to try new things and experiment. This is how my work evolves. Each new show is a step forward in my work.
With your extensive exhibition history, how do you stay motivated and continue to innovate in your artistic practice?
I go to the studio almost every day. I get there early and focus on what needs to get done. You can’t think about deadlines, show etc. When you sit down to paint all of that needs to be set aside so that your mind can focus on the painting. I work on several at a time and this allows the process to stay fresh.
Your upcoming solo exhibition at Graphite Gallery in New Orleans is highly anticipated. What can attendees expect to see and experience at this event?
I’m really looking forward to this show. I want to push myself to create something different. The gallery is incredible in that they allow me to create anything I want and that in turn allows the artist to delve into uncharted territory.
How do you navigate the intersection of commercial viability and artistic integrity in your career?
I think the art world is changing drastically. I think artists have so many different opportunities to expand their professional approach to what they do. The sky is the limit on how an artist can incorporate their work into different corporate avenues.
Your participation in art fairs like Context Art Miami and Affordable Art Fair speaks to your engagement with the art market. How do these experiences influence your perception of the art world?
It’s important to go to these shows. There are so many different levels in the art market it’s very important to understand how these different levels operate. It allows you to see where you are and where you want to go.
As a Canadian artist, how do you perceive the Canadian art scene compared to international art scenes where you’ve exhibited?
I feel fortunate to be known as a Canadian artist. I think there is huge potential in Canada for an artist. It is a fairly small market which can help to secure oneself as a Canadian artist. I think Canada has a lot to offer with regards to the art market in general and I really want to see Canada expand as a leading art center.
Many of your exhibitions have been in collaboration with galleries. How do you establish and nurture relationships with gallery owners and curators?
I market the heck out of my work. This brings my work into curators and galleries radar. Once you are working with someone it’s all about teamwork with both parties striving for success.
Your involvement in events like the CANFAR Gala Art Auction highlights your support for charitable causes. Can you discuss the role of art in raising awareness and funds for social issues?
I think it is important to allow your work to be offered for charitable causes. If an artists work can raise awareness and funds to a charity in need then it’s a must for artists to be involved.
Looking ahead, what are your aspirations and goals as an artist? Are there any specific projects or collaborations you’re excited about?
I have a few projects that I am working on that involves, furniture, a world renowned fashion brand and new materials being used. Can’t wait to elaborate more.
What are some of your other hobbies?
I love travelling, movies and music.
Your favourite quote(s)?
A painting is not a picture of an experience, but is the experience.` ~Mark Rothko
Your message for us at TOPS (Toronto Pages) magazine.
Thank you for seeing the necessity in shedding light on the creatives.
